Jeremy Keith Hunter is one of the dopest artists you’ll ever meet. Talented in a vast array of mediums; Jeremy Keith is a multi-disciplinary creative, primarily focused in theatre-making. As a playwright, his work has been featured at the Kennedy Center, Anacostia Playhouse, 1st Stage Theatre, Theatre J, and Solas Nua. Recent credits include: Young Playwrights Theatre: Silence is Violence: Wish Me Well (Asst. Dir); Port Tobacco Players: A Raisin in the Sun (Director); College of Southern Maryland: Ain’t Misbehavin (Director); 1st Stage: Mlima’s Tale (Mlima); Everyman Theatre: Proof (Hal); WSC Avant Bard: Topdog/Underdog (Lincoln - Heyen Hayes Nomination); Studio Theatre: Pass Over (emergency u/s), Chimerica (Tristan Fey u/s); Mosaic Theatre Company: Les Deux Noirs (James Baldwin), Hooded: or Being Black for Dummies (Tru), Milk Like Sugar (Antwoine), When January Feels Like Summer (Devaugn); Theatre Alliance: Word Becomes Flesh (u/s); Lyric Repertory Company: A Raisin in the Sun (Walter Lee); Clybourne Park (Albert/Kevin). He studied theatre at the College of Southern Maryland. You can follow
him at: Jeremykeithhunter.com. Iammercury.com.

IG: mercury2899

Rogers is an actor and director with over 70 regional theater productions and over 100 voiceover, film and television credits. He works in both traditional and devised performance forms
resulting in offerings as varied as a multilingual presentation of Lorraine Hansberry’s “A Raisin in the Sun” (combining casts from South Africa, Sweden and the U.S.) to a production of Mozart’s “The Magic Flute” reimagined through the lens
of race and gender. Rogers directed TDPS’ April 2022 production of Stick Fly. Regional credits include King Hedley II, Ma Rainey’s Black Bottom (Arena Stage); Father Comes Home from the Wars, Two Trains Running, Glengarry Glen
Ross, Eurydice, A Lesson Before Dying (Round House Theatre); Holly Down in Heaven (Forum Theatre); Topdog/Underdog, A Raisin in the Sun (Everyman Theatre); Fever/Dream (Woolly
Mammoth); Jitney (Ford’s Theatre); Colossal (Olney Theatre Center); Comedy of Errors (Folger Theatre); The Piano Lesson (Trustus Theatre); Coriolanus (Shakespeare Company); As You Like It, Spunk, Joe Turner’s Come and Gone, (African
Continuum Theatre). KenYatta has received four Helen Hayes nominations and one win for his stage work in the nation’s capital. TV credits including the PBS series “Standard Deviants’
Television.” KenYatta received his MFA in Acting from the University of Pittsburgh.